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ISSUE 141 – ATHENS: FORMAL/SPONTANEOUS

€11

Overview

The ‘formal/spontaneous’ pair are not literally opposite poles. Nevertheless, in a search for the synonyms for its two constituents with architecture as a field of reference, the impression of a dipole seems to be reinforced, and shades of meaning emerge which make them jointly appropriate, as a culmination of attributes, to describe and interpret Athens and its architecture, and when theoreticised, to serve as a starting point for new planning. 
‘Formal’ means suitable for a function or occasion with strict requirements (particularly a ceremony), occurring in public, deriving from a public authority, generally acceptable, proper, in accordance with the rules – therefore planned, official, ‘normally’ customary, actual, substantive, strictly rational. Anything formal has to do with the sign and the form, with the public and the whole. 

Please find the full text in the printed version. 
 

 

Contents

  • EPHEMERAL INTERVENTIONS IN THE CITY, 2012
    Giannis A. Koukis
  • THE ΝOTION OF CRITICAL RESTORATION, 2013
    Dorette Panagiotopoulou
  • WEAK AND MONUMENTAL (ΜNEMEIOSIS TOU ADYNAMOU), 2014
    Aristide Antonas
  • SECTION ON THE CITY 1:5, 2015
    Konstantinos Chatzaras
  • ATHENS IS BURNING, 2015
    Alfredo Brillemburg, Hubert Klumpner
  • PETRALONA HOUSE, 2017
    Point Supreme
  • PERAMA, 1974-1989
    Georgios Pantopoulos
  • EDITORIAL
    Γεώργιος Α. Πανέτσος
  • ANAFIOTIKA
  • HOUSE-OFFICE OF ERNST ZILLER, ATHENS, 1863
  • AT THE EDGE OF THE NEIGHBOURHOOD, THE ASYRMATOS SETTLEMENT, 1923-1963
    Zografia Karekou
  • THE NEA ALEXANDREIA COLONY AND THE TERRITORIAL ECONOMY OF ATHENS, 1920
    Stamos Papadakis
  • ELEMENTS FOR SELF-KNOWLEDGE. TOWARDS A TRUE ARCHITECTURE (EXTRACTS)
    Aris Konstantinidis
  • FORMALLY INFORMAL: THE UNITED STATES EMBASSY CHANCERY BUILDING IN ATHENS, (1956-1961)
    Alexandros C. Samaras
  • PROJECT FOR THE NEW ACROPOLIS MUSEUM AT MAKRYIANNI, 1989
    Chi Wing Lo, Panayiota Davladi
  • '1994', 1996
    Andreas Angelidakis
  • SEVEN POSITIONS ON ATHENS, 1996
    Georgios A. Panetsos
  • THE AFTERLIFE OF THE OLYMPIC STADIUM: BETWEEN FORMALITY AND INFORMALITY
    Jilly Traganou
  • THE NEW ATHENIAN GROUND, 2006
    Thanassis Manis
  • AN URBAN-AGRARIAN VISION FOR ELEONAS, 2012
    Yannis Aesopos

EPHEMERAL INTERVENTIONS IN THE CITY, 2012

Giannis A. Koukis

THE ΝOTION OF CRITICAL RESTORATION, 2013

Dorette Panagiotopoulou

WEAK AND MONUMENTAL (ΜNEMEIOSIS TOU ADYNAMOU), 2014

Aristide Antonas

SECTION ON THE CITY 1:5, 2015

Konstantinos Chatzaras

ATHENS IS BURNING, 2015

Alfredo Brillemburg, Hubert Klumpner

PETRALONA HOUSE, 2017

Point Supreme

PERAMA, 1974-1989

Georgios Pantopoulos

EDITORIAL

Γεώργιος Α. Πανέτσος

ANAFIOTIKA

HOUSE-OFFICE OF ERNST ZILLER, ATHENS, 1863

AT THE EDGE OF THE NEIGHBOURHOOD, THE ASYRMATOS SETTLEMENT, 1923-1963

Zografia Karekou

THE NEA ALEXANDREIA COLONY AND THE TERRITORIAL ECONOMY OF ATHENS, 1920

Stamos Papadakis

ELEMENTS FOR SELF-KNOWLEDGE. TOWARDS A TRUE ARCHITECTURE (EXTRACTS)

Aris Konstantinidis

FORMALLY INFORMAL: THE UNITED STATES EMBASSY CHANCERY BUILDING IN ATHENS, (1956-1961)

Alexandros C. Samaras

PROJECT FOR THE NEW ACROPOLIS MUSEUM AT MAKRYIANNI, 1989

Chi Wing Lo, Panayiota Davladi

'1994', 1996

Andreas Angelidakis

SEVEN POSITIONS ON ATHENS, 1996

Georgios A. Panetsos

THE AFTERLIFE OF THE OLYMPIC STADIUM: BETWEEN FORMALITY AND INFORMALITY

Jilly Traganou

THE NEW ATHENIAN GROUND, 2006

Thanassis Manis

AN URBAN-AGRARIAN VISION FOR ELEONAS, 2012

Yannis Aesopos